Trending
MOST READ
Beaches Be Trippin\': Five Texas Coast Spots Worth the Drive

Beaches Be Trippin': Five Texas Coast Spots Worth the Drive

Arts & Culture: Let’s face it, most of us Lone Stars view the Texas coast as a poor man’s Waikiki. Hell, maybe just a poor man’s Panama Beach — only to be used... By Callie Enlow 7/10/2013
Chris Pérez, Selena’s Husband, Faces His Past and Looks Forward, Musically

Chris Pérez, Selena’s Husband, Faces His Past and Looks Forward, Musically

Music: Chris Pérez never saw it coming. “All I ever wanted to do was play guitar,” he told the Current. “I never thought I’d be the subject of an interview... By Enrique Lopetegui 8/28/2013
Chris Perez, husband of slain Tejana icon Selena, tells of romance, suffering

Chris Perez, husband of slain Tejana icon Selena, tells of romance, suffering

Arts & Culture: In one of the final chapters of his book To Selena, With Love (out March 6), Selena's widower Chris Perez mentions that Abraham Quintanilla, his former father-in-law, once... By Enrique Lopetegui 3/7/2012
Veg Out with Earth Burger

Veg Out with Earth Burger

Food & Drink: “Do you want cheese on that?” “Yeah, sure.” “Vegan or organic?” “Um, what? Where am I?” By Jessica Elizarraras 7/23/2014
Savage Love: The Boys in the Bandwidth

Savage Love: The Boys in the Bandwidth

Arts & Culture: I am a gay man and have been in a relationship with my GGG boyfriend for more than three years. We are in our early 20s and have a... By Dan Savage 7/23/2014
Calendar

Search hundreds of restaurants in our database.

Search hundreds of clubs in our database.

Follow us on Instagram @sacurrent

Print Email

Screens

‘Thelma & Louise’ Screenwriter Dishes on Sex, Guns and Writer’s Block

Photo: Courtesy Photos, License: N/A

Courtesy Photos

Louise (Susan Sarandon, left) and Thelma (Geena Davis).

Photo: , License: N/A

Callie Khouri



Related stories


Thelma and Louise' (the Movie) Starring Thelma and Louise (the Two Headed Turtle)

Picture this: You were born in San Antonio and moved away shortly after your fifth birthday. You studied theater in college and were ambivalent about your writing skills. Then, one day you had an idea. “This could be good,” you thought. So you wrote it all down. And won an Oscar and a Golden Globe on your first try.

Sounds like a fairy tale, but that’s exactly what happened to Callie Khouri, who won a Best Screenplay Academy Award for her acclaimed—and controversial—Thelma & Louise (1991, directed by Ridley Scott).

“It was surprising and incredibly confidence-building,” Khouri told the Current on the phone from Los Angeles. On Saturday, she’ll receive the Distinguished Screenwriter Award from the Austin Film Festival during a luncheon at the Austin Club (more info at austinfilmfestival.com). “I was thrilled [to win the Oscar], and then I was instantly like, ‘Now what? What do I do?’ It took me about four years to write the next one.”

Indeed, Thelma & Louise was a tough act to follow, and eventually she wrote Something to Talk About (1995), which earned mixed reviews, partly because of people’s expectations and partly because, well, writing good stuff isn’t easy.

“I don’t know if I’ll ever be able to top [Thelma & Louise], which is one of the things I try to come to grips with ... as a writer,” she said. “I tell myself, ‘You know, Callie, you don’t have to top it. You just have to do work that you love and are proud of. It’s not about having a competition with yourself, it’s about telling the stories you want to tell.’ I knew that it was going to be hard to follow up, and it was.”

But even if Thelma & Louise had been her only screenplay, that is one hell of a legacy. It showed two gun-wielding women determined not to take crap from any guy, all done with above-average wit. Yet, the movie’s success didn’t happen overnight. Early reviews were mixed and some (idiots) even called it “neo-nazi feminism.”

“[Those people] really saw something that wasn’t in there,” Khouri said. “A lot of men really seemed threatened by it. There were a lot of reviews about it being ‘overtly violent,’ which it clearly was not when you compare it to other films. Of course, I got a lot of pretty scathing reviews from women too, because Thelma and Louise weren’t ‘role models’ enough, which I find weird—there’s a double standard there. They only talk about ‘role models’ when there’s women or minorities.”

More importantly, Thelma & Louise should be mandatory study for any film course interested in teaching the art of how to use sex and guns in clever, original, edgy ways instead of the predictable drugs-guns-tits formula.

Recently in Screens & Tech
We welcome user discussion on our site, under the following guidelines:

To comment you must first create a profile and sign-in with a verified DISQUS account or social network ID. Sign up here.

Comments in violation of the rules will be denied, and repeat violators will be banned. Please help police the community by flagging offensive comments for our moderators to review. By posting a comment, you agree to our full terms and conditions. Click here to read terms and conditions.
comments powered by Disqus