The horrible and the miserable
Published: November 16, 2011
Woody Allen: A Documentary (8pm Sun, PBS)
More than a decade after the disappointing Wild Man Blues, American Masters gives Woody Allen the documentary he deserves. Allen has long been a remote figure, loath to grant interviews or make personal appearances. The two-part Woody Allen: A Documentary allows us to get as close to the writer/actor/director/standup comedian/clarinetist as we ever have and probably ever will. It examines Allen’s enormous body of work, his odd filmmaking methods, his gloomy philosophy, and his singular personality. Interviewees include friends, colleagues, critics, movie stars, ex-wives, and — miracle of miracles — the man himself.
Allen’s cooperation guaranteed that this would be an important work. It also guaranteed that it would be funny, thoughtful, and eccentric — the rare 3 1/2-hour documentary you wish could go on longer. Allen revisits his childhood home in Brooklyn, where he was first startled by the idea of mortality at age 5. “Once I realized it, I thought, ‘Deal me out,’” he says. “I never was the same after that.”
Neither was show business. Allen turned his existential dread into art, combining influences from Groucho Marx, Bob Hope, and Ingmar Bergman into an original approach. He became a nationally recognized gag writer in his teens, conquered stand-up in his twenties, created comic movie masterpieces in his thirties, and took his place among the great American directors in his forties. Despite succeeding at anything he ever tried, however, Allen is obsessed with failure, just like his alter ego in Annie Hall who believes “life is divided between the horrible and the miserable.” He insists that “the only thing standing between greatness and me is me.”
It falls to the commentators to defend Allen’s career from his own damning judgment. One of them even attempts to defend existence itself from Allen’s relentless barbs, using his own comedies against him: “If life really is absurd and horrible and brutal, I would want to ask him, ‘Why are we laughing?’”
Braxton Family Values (8pm Thu, WeTV)
Keeping Up with the Kardashians follows five sisters whose first names start with K, and the results are pure Krap. Much better is Braxton Family Values, which follows the adventures of five sisters whose first names start with T. The T surely stands for “Trouble.”
One difference between the Kardashians and the Braxtons is another T word — talent. The Braxton sisters count one singing star among them — Grammy winner Toni — and the others have artistic ability as well. The on-again, off-again plans for a Braxton family album are a cause of friction in Season 2, along with the growing arrogance of baby sister Tamar. In a family of firecrackers, Tamar is the M-80, and the attention she got in Season 1 has only made her more explosive. She aggressively pursues a solo singing career and gets up in everybody else’s business. Tamar exasperates Toni — who’s currently single — by insisting that she hook up with someone immediately. “I’m gonna make sure Toni gets her little somethin’-somethin’ if it’s the last thing I do,” she says.