'Land Ho!' Gets Friendship Right, and it’s a Short, Sweet Ride
Published: August 27, 2014
Note to makers of films such as The Bucket List, the recent Michael Douglas stinker Last Vegas, and the even more recent Michael Douglas stinker And So It Goes: Land Ho! is the template for movies about older people at pivotal points in their lives. It’s sharp, funny and barely dips into sentimentality, with a pair of superb lead performances. Plus, the killer 1980s-inspired soundtrack moves the story along without treacle.
Mitch (Earl Lynn Nelson) is a retired surgeon, and Colin (Paul Eenhoorn) is his retired ex-brother-in-law. They’re single—not by choice—and they haven’t seen much of each other in years. What begins as a simple weekend at Mitch’s house turns into a weeklong Icelandic road trip.
Colin, who doesn’t have much interest in travel, has to be persuaded, but Mitch is the type of guy who doesn’t take no for an answer. Plus, he just really wants to go to Iceland. (I can’t remember why, but when he’s reading the restaurant reviews of some of Reykjavík’s finest culinary institutions, I also didn’t care anymore.) As Land Ho! saunters on, it becomes clearer and clearer what the trip’s purpose is, which is to spend time with someone you like. Nothing more, nothing less. From the way Mitch drawls on and on at various points—he has a strong Kentucky accent—it’s clear that he’s used to getting his way, and Colin, an erudite and reserved Australian, may be the only person around who can tolerate him. For Mitch, the trip is a way to rekindle their backburner friendship, and for Colin it becomes, unintentionally, a way to get—to paraphrase Mitch and Terry McMillan—his groove back.
The adventure starts off with a night in Reykjavík getting drunk and continues the following morning at the airport, picking up Mitch’s young cousin Ellen (Karrie Crouse) and her friend Janet (Elizabeth McKee). The two Ph.D. students have been in Greenland for a month and are stopping by for a visit before heading back to the U.S.
Mitch is all for getting the women to buy nice clothes (their luggage was lost) before dinner, and the way he lays into them about their appearances is complete male chauvinism. How much do we need to hear an old man tell a young woman how to dress?
But writer-directors Aaron Katz and Martha Stephens neatly sidestep the potential ick factor by having Mitch lay into Colin about his appearance in exactly the same manner. It seems a little safe, but Land Ho! isn’t about making people feel uncomfortable; it’s about two old dudes who are set in their ways, for better or worse.
The night out for dinner and dancing—at the discotheque Colin ruefully notes he and Mitch are the oldest people there by more than a couple decades—ends with Ellen passed out drunk in bed and Colin and Mitch bunking together. But they seem to prefer each other’s company anyway.