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Best of SA 2013: 4/24/2013
Chris Pérez, Selena’s Husband, Faces His Past and Looks Forward, Musically

Chris Pérez, Selena’s Husband, Faces His Past and Looks Forward, Musically

Music: Chris Pérez never saw it coming. “All I ever wanted to do was play guitar,” he told the Current. “I never thought I’d be the subject of an interview... By Enrique Lopetegui 8/28/2013
Beaches Be Trippin\': Five Texas Coast Spots Worth the Drive

Beaches Be Trippin': Five Texas Coast Spots Worth the Drive

Arts & Culture: Let’s face it, most of us Lone Stars view the Texas coast as a poor man’s Waikiki. Hell, maybe just a poor man’s Panama Beach — only to be used... By Callie Enlow 7/10/2013
Chris Perez, husband of slain Tejana icon Selena, tells of romance, suffering

Chris Perez, husband of slain Tejana icon Selena, tells of romance, suffering

Arts & Culture: In one of the final chapters of his book To Selena, With Love (out March 6), Selena's widower Chris Perez mentions that Abraham Quintanilla, his former father-in-law, once... By Enrique Lopetegui 3/7/2012
A Look Back at SA\'s Homebrew History

A Look Back at SA's Homebrew History

The Beer Issue: Homebrewing is a foundational American virtue. Not just Sam Adams smiling back from the bottle that bears his name—virtually all the... By Lance Higdon 10/15/2014

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‘Anchorman 2’ is the Best Movie of the Year

Photo: Courtesy Photo, License: N/A

Courtesy Photo

In much the same way that The Onion is often, in tone if not in content, the most reliable news source in America, Anchorman 2 is perhaps the most important movie of 2013.

He said what?

Look, understandably, movies like 12 Years a Slave, Gravity and Fruitvale Station aspire to a higher and much more serious tier in the hierarchy of filmmaking. But as a film which manages to sustain laugh-out-loud humor while commenting on a critical and divisive aspect of American culture writ large—i.e. the media—Anchorman 2 is a smashing success. It ranks with The Heat (for similar macro-cultural reasons) as the best thoroughbred comedy of the year.

We open on Ron Burgundy (Will Ferrell) and Veronica Corningstone (Christina Applegate) happily married and vocally prepping in 1980s NYC. When Corningstone lands a coveted promotion, Burgundy goes apeshit and retreats to a life of drunken exile in San Diego. He’s soon given the chance to return to New York, anchoring the graveyard shift at the new “Global News Network.” He seizes the opportunity, though it’s “the dumbest idea [he's] ever heard,” assembles his crackerjack team (Paul Rudd, David Koechner, Steve Carell) and the foursome proceed, in very short order, to revolutionize television journalism in America.

Like the first Anchorman, the sequel dispenses with realistic storytelling in order to maximize laughs. There’s a certain narrative economy to be admired, the way the plot moves dramatically forward in the space of one or two lines, after which the comedians are more or less left to their own devices in loosely sequential skits. In terms of jokes-per-minute ratio, Anchorman 2 may lead the pack for some time.

Burgundy and the gang are all at about the same decibel level we left them in 2004, but outside factors have modified the dynamics slightly. Recall that Steve Carell was a relative unknown at the time of the first film's release. He’d delivered a dynamite (though at the time overlooked) supporting performance in Bruce Almighty, but was otherwise just bopping around the Chicago Improv scene. Now that he’s arguably the Anchorman foursome’s biggest star—he’s eclipsed even Ferrell in the past decade—his role of Brick Tamland, the clueless, screaming infant-as-man, sees a noticeable boost in screen time. As Tamland, Carell remains a key component in the comedy quartet; he’s much less compelling in extended solo scenes, even with Kristen Wiig as his love interest, improbably equal to his weirdness.

The movie does dwindle some in the third act. With the exception of an inspired action sequence, a much-appreciated reprisal of one of the original’s best scenes, Anchorman 2 feels akin to most Saturday Night Live episodes or pop albums in which the strongest sketches or tracks appear first. Turns out Ron Burgundy’s spiritual and domestic renewals are less entertaining than the early stupid banter of the news team.

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