Trending
MOST READ
Best Hookah Bar

Best Hookah Bar

Best of SA 2013: 4/24/2013
Beaches Be Trippin\': Five Texas Coast Spots Worth the Drive

Beaches Be Trippin': Five Texas Coast Spots Worth the Drive

Arts & Culture: Let’s face it, most of us Lone Stars view the Texas coast as a poor man’s Waikiki. Hell, maybe just a poor man’s Panama Beach — only to be used... By Callie Enlow 7/10/2013
Best Karaoke Night

Best Karaoke Night

Best of SA 2013: 4/24/2013
Texas Law Leaves Abortion Out of Reach for Many Women

Texas Law Leaves Abortion Out of Reach for Many Women

News: Texas’ sweeping abortion law has already eliminated all abortion clinics south of San Antonio, and the last clinic west of the city... By Alexa Garcia-Ditta 8/27/2014
How Rebates Have the Texas Film Industry Playing Catch Up To its Neighbors

How Rebates Have the Texas Film Industry Playing Catch Up To its Neighbors

Screens: See if you can spot the common thread that is pulling at the seams of the Texas film industry. On NBC’s The Night Shift, a stock-written staff... By Matt Stieb 8/27/2014
Calendar

Search hundreds of restaurants in our database.

Search hundreds of clubs in our database.

Follow us on Instagram @sacurrent

Print Email

Screens & Tech

'Who Do You Love' explores the history of Chess Records and the birth of rock 'n' roll

Photo: Courtesy photo, License: N/A

Courtesy photo

Pioneers Muddy Waters (David Oyelowo) and Leonard Chess (Alessandro Nivola) in Who Do You Love.



Related stories


And another thing I’ll say: this was before civil rights. A black guy couldn’t have done it if he wanted to. That’s why there was this symbiotic relationship between a lot of Jewish people and blacks. I remember going with my dad to a radio station in Atlanta, and not being able to get a black cab to take us to the white neighborhood, or a white cab to pick us up. It was really crazy. 

So given those difficulties, why did your father and Chess stick to signing primarily black artists?  

  We tried with a few white artists. But we didn’t really start making it with the white audience until around 1955, when “Maybellene” [by Chuck Berry] became one of the first crossover records. We were shocked when English bands [like] the Yardbirds, the Stones, the Kinks, started doing our songs. No one ever thought that would happen.

How often did your dad actually say ‘motherfucker?’

Constantly. Day in and day out. I say it myself, man. My uncle did too. And we’re always getting in trouble because it sneaks out at the wrong time.    

★★★ ½ (out of 5 stars)

Who Do You Love

Dir. Jerry Zaks; writ. Peter Wortmann, Robert Conte; feat. Alessandro Nivola, Jon Abrahams, David Oyelowo (not rated)

 

Who Do You Love? screening

$5
7pm Sun, June 10
Barshop Jewish Community Center
12500 NW Military Hwy
(210) 302-6820
jccsanantonio.org

Recently in Screens & Tech
We welcome user discussion on our site, under the following guidelines:

To comment you must first create a profile and sign-in with a verified DISQUS account or social network ID. Sign up here.

Comments in violation of the rules will be denied, and repeat violators will be banned. Please help police the community by flagging offensive comments for our moderators to review. By posting a comment, you agree to our full terms and conditions. Click here to read terms and conditions.
comments powered by Disqus