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2012 Best of San Antonio Food Winners List

2012 Best of San Antonio Food Winners List

Best of 2012: 2012 Best of San Antonio Food Winners List 4/25/2012
Prepare the Bat-Signal: Subdivision Plan Encroaches on Globally Significant Preserve

Prepare the Bat-Signal: Subdivision Plan Encroaches on Globally Significant Preserve

News: Each summer our local weathermen look at the Doppler and tell us to disregard a cloud hanging over the Hill County. No, it’s not sign of some impending... By Michael Barajas 5/22/2013
Loreta Velázquez, the Secret Soldier of the Civil War

Loreta Velázquez, the Secret Soldier of the Civil War

Screens: She was a woman who disguised herself as a man. She was an immigrant who believed that “in thought and manner” she was an American. She was... By Patricia Portales 5/22/2013
San Antonio's Theater Scene is Long on Space, Short on Productions

San Antonio's Theater Scene is Long on Space, Short on Productions

Arts & Culture: If you think there is little to no serious theater in San Antonio, you’re not alone. Even business travelers dining at Bohanan’s must... By Scott Andrews 5/22/2013
Best late-night eats, Best bakery, Best menudo

Best late-night eats, Best bakery, Best menudo

Best of SA 2012: Only the truly cognoscenti among tourists venture past the River Walk or Alamo in search of more local treasures. The dark-socks-with-dress-shoes-and-shorts segment? 4/25/2012
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Aural Pleasure Review

The Panic Division: 'Eternalism'

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The Panic Division's first album since the Sleepwalker EP (2009) feels like a second Colton Holliday solo album in its continuation of a mix he's grown comfortable with: synth-rock, layers and layers of guitars, strong hooks and melodies, and that type of sweet darkness Interpol is — or used to be — good at. While Holliday played virtually every instrument on the album, he did it with a band format in mind, pulling it off beautifully. Lyrically, Holliday writes from his guts, touching upon love lost and found and love yet-to-come. Though far from original, the band's strengths include a rare talent for great execution and attention to detail: the album was mixed in London by Ralph Jezzard (EMF, the Damned, Grand Theft Audio) and sounds like it. The CD's gorgeous package was designed by Holliday himself (he also designed the equally impressive package of Memory of a Melody's 2011 debut). But this isn't about the externals — this is a strong return by a band that's literally coming back home to its roots and still has plenty of ammunition to keep going.

★★★ ½ (out of 5 stars)

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