Trending
MOST READ
Girl in a Coma Singer Nina Díaz\' Spiritual Makeover

Girl in a Coma Singer Nina Díaz' Spiritual Makeover

Music: “What’s up with Nina?” I asked Faith Radle, Girl in a Coma’s manager, looking at the band’s lead singer, Nina Díaz. It was pouring rain that... By Enrique Lopetegui 6/19/2013
SB5: Dead Anti-Abortion Bills See New Life In Special Session

SB5: Dead Anti-Abortion Bills See New Life In Special Session

News: Just when we thought we evaded a round of draconian abortion bills proposed during the surprisingly quiet 83rd Texas Legislative regular session, Gov. Rick Perry... By Mary Tuma 6/19/2013

Best Beer Selection

Best of SA 2012: There are times at the Flying Saucer that frequent flyers need to be told to fasten their seat belts because they're in for a taste explosion. Even those who have... 4/25/2012
2012 Best of San Antonio Food Winners List

2012 Best of San Antonio Food Winners List

Best of 2012: 2012 Best of San Antonio Food Winners List 4/25/2012
Free Will Astrology

Free Will Astrology

Astrology: ARIES (March 21-April 19): Maybe you’ve seen that meme circulating on the Internet: “My desire to be well-informed is at odds with my desire to remain... By Rob Brezsny 6/19/2013
Calendar

Search hundreds of restaurants in our database.

Search hundreds of clubs in our database.

Follow us on Instagram @sacurrent

Print Email

Aural Pleasure Review

The Bronx: 'IV'

Photo: , License: N/A


After a two-album departure with Mariachi El Bronx, their mariachi-fusion side project, The Bronx return to form with their fourth hardcore installment. There's something characteristically West Coast about The Bronx's form of hardcore. It could be the crisp production of their albums or the outfit's calculated aggression. Either way, the new record is clean. Gone are the days of hardcore where guitars will miss a note, a singer will break off-key, a chord progression will get lost in distortion or a recording will dip in fidelity throughout a track. This is not to mistake The Bronx's latest offering as mere pop fluff, however. "The Unholy Hand" opens the album to boisterous snarl and the characteristic tonal inflections, all while discussing what could drive a man to suicide. As radio-friendly as much of the album may be, particularly "Style Over Everything" and "Youth Wasted," it's not long before the guitars tear to fuzz-laden overdrive and singer Matt Caughthran continues his guttural onslaught. In a more subdued closing number, "Life Less Ordinary" is almost deserving of the moniker of ballad, with a crooning reflection on past indignations and personal empowerment. In "Along for the Ride," Caughthran notes "There was a time when the world was under our control, but that time has died, now we're just along for the ride," an unassuming verse that defines the self-imploding nature of a hardcore band inside its genre. The Bronx may fire every round in their arsenal, but their gun will always only be a six-shooter, a band lacking progression but comfortable in their own sound.

★★ ½ (out of 5 stars)

Recently in Music
We welcome user discussion on our site, under the following guidelines:

To comment you must first create a profile and sign-in with a verified DISQUS account or social network ID. Sign up here.

Comments in violation of the rules will be denied, and repeat violators will be banned. Please help police the community by flagging offensive comments for our moderators to review. By posting a comment, you agree to our full terms and conditions. Click here to read terms and conditions.
comments powered by Disqus