Best Brunch

Best Brunch

Best of SA 2013: 4/24/2013
Jessica Chastain and James McAvoy Disappear into ‘Eleanor Rigby’

Jessica Chastain and James McAvoy Disappear into ‘Eleanor Rigby’

Screens: “If you’re going to start, you might as well start big,” an ambitious person once said. Ned Benson must have been paying attention, because for his first... By Cameron Meier 9/17/2014
The Permanent Gangsta Status of Mobb Deep’s Prodigy

The Permanent Gangsta Status of Mobb Deep’s Prodigy

Music: Prodigy, better known to ’90s rap aficionados as the prodigious half of Queensbridge duo Mobb Deep, has made a successful career operating on... By James Courtney 9/17/2014

Best Tattoo Shop

Best of SA 2013: 4/24/2013

Best Fajitas

Best of SA 2012: We wracked our brains over this one. Fajitas are pretty much all the same, no? Kinda like huevos rancheros. Our mind then drifted to a certain middle sister's wedding rehearsal... 4/25/2012

Search hundreds of restaurants in our database.

Search hundreds of clubs in our database.

Follow us on Instagram @sacurrent

Print Email


Texas is Funny Records Celebrates with Two-Night Showcase

Photo: Courtesy photos, License: N/A

Courtesy photos

The Grasshopper Lies Heavy’s James Woodard

Photo: , License: N/A

Deer Vibes set to have a “really special” 2014, according to the label

Here’s a bit of old news: the music industry is a rough business, especially for a local record label.

“It’s a labor of love,” said Marcus Gossi, one half of the team at Texas is Funny Records, founded in 2009 by Scott Andreu with the simple aim of supporting some favorite local acts. “I mean, that’s gotta be the driving force for us.”

“It is a small label, very D.I.Y. in operation,” said Andreu. “We don’t draw our covers or go that far with it. But it does take a lot of networking and energy to do what Texas is Funny does.”

So far, the label has avoided the downward trend gripping the rest of the music industry. With a boatload of new releases coming down the pike, national tours in the works for the majority of their prime artists and a distribution deal with indie giant Frenchkiss Records already inked, it’s gearing up to be a huge 2014 for the little label from SA. To celebrate, they’re throwing two parties.

“[This showcase] is really just a way to [thank] everyone and really kick-start our year rolling into 2014,” said Andreu.

The Texas is Funny Records Fall Showcase brings together the majority of the label’s current roster of 11 bands to perform two shows this Friday and Saturday.

“Because the label has grown so much since the last year, we knew we couldn’t fit everyone into one night,” said Gossi. “We went with a two-night set-up, one [Friday] sort of heavier, punk night, the second [Saturday] being a bit more, shall we say, palatable, softer.”

Perhaps the toughest part of putting together the showcase was just wrangling their roster, which funnily enough now spans far beyond Texas.

”Everyone’s always so wrapped in their own thing, it’s tough to get everybody for something like this,” said Andreu.

Though they couldn’t quite coordinate with Kent, OH’s the Cherry Cola Champions, the rest of the label’s lineup will all take the stage at either Hi-Tones or The Ten Eleven during the two-day fest. Making the longest trek will be New Orleans quartet Glish, one of the label’s most exciting signings from the past year.

“Anytime I listen to them, I get chills,” said Gossi. “Sonically, they just have this warm and powerful ease to them. You just don’t hear kids playing music like this every day.” Sounding like the shoegaze smash-up of Lush and Gish-era Smashing Pumpkins that their name suggests, Glish is currently honing their debut full-length record set for release in the coming year.

Recently in Music
  • The Permanent Gangsta Status of Mobb Deep’s Prodigy Prodigy, better known to ’90s rap aficionados as the prodigious half of Queensbridge duo Mobb Deep, has made a successful career operating on... | 9/17/2014
  • Our Picks for the 31st Annual Jazz’SAlive Eddie Palmieri: 9:30pm Saturday. Jazz’SAlive has traditionally made sure to clear at least one headlining space for Latin jazz... | 9/17/2014
  • Loudon Wainwright Hasn’t Got the Blues (Yet) Emerging with his eponymous debut in 1970, singer/songwriter Loudon Wainwright III found himself lumped along with fellow post-Dylan folk-revivalists Leonard Cohen, Cat Stevens and Randy Newman. But where those contemporaries relied on abstract imagery or p | 9/17/2014
We welcome user discussion on our site, under the following guidelines:

To comment you must first create a profile and sign-in with a verified DISQUS account or social network ID. Sign up here.

Comments in violation of the rules will be denied, and repeat violators will be banned. Please help police the community by flagging offensive comments for our moderators to review. By posting a comment, you agree to our full terms and conditions. Click here to read terms and conditions.
comments powered by Disqus