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2012 Best of San Antonio Food Winners List

2012 Best of San Antonio Food Winners List

Best of 2012: 2012 Best of San Antonio Food Winners List 4/25/2012

Best Beer Selection

Best of SA 2012: There are times at the Flying Saucer that frequent flyers need to be told to fasten their seat belts because they're in for a taste explosion. Even those who have... 4/25/2012
Flea Markets

Flea Markets

City Guide 2013: Here in San Antonio we have fine flea markets, influenced heavily by the vast indoor/outdoor mercados of Mexico. Looking to get a sonogram and a haircut... 2/28/2013
Murder Destroyed Charity Lee's Family, Forever Altered Her Concept of Justice

Murder Destroyed Charity Lee's Family, Forever Altered Her Concept of Justice

News: On a sweltering Monday evening in May, Charity Lee sat near a makeshift pulpit inside the Greater Faith Church on the city’s East Side. Before her sat... By Michael Barajas 6/12/2013
Newsmonger: Euthanasia by Proxy

Newsmonger: Euthanasia by Proxy

News: Last week, Express-News editorial board writers heaped praise on city Animal Care Services, saying new leadership has catapulted San Antonio’s handling of strays... By Michael Barajas 6/12/2013
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Suzanna Choffel: Steady Eye, Shaky Bow

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What if Nelly Furtado recorded jazzy pop instead of club music, Adele learned how to write more than three types of songs, and Zero 7 weren't so damn boring? Suzanna Choffel, an Austin-based guitar and voice teacher, takes the potential of other artists rooted in R&B, pop, and moody electronica, and actually fulfills it. Her eclectic sophomore release traffics in blue-eyed soul viewed through an indie-rock lens. New Orleans-flavored lead single "Raincloud" showcases Choffel as a smoldering, sassy vocal gymnast, but it's the fair-skinned funk of "Stumble" that should be Steady's calling card. The track buries Choffel's scatty voice slightly, allowing her stellar band to pepper in springing guitars, ominous vibes, shivering pianos, and one of the phattest beats in Texas this year. Other highlights include the macabre soul of opener "Archer" and the bare balladry of closer "Come Clean." The latter implies a coming bombastic climax when Choffel sings nakedly in the song's quietist moment, but she puts the track to bed with a final chorus and a high note on the piano instead. Steady's seamless melding of genres, quality songwriting, and unparalleled musicianship should serve as a warning to musicians of higher sales but lower caliber: All you need is time and talent.

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