Trending
MOST READ
Best late-night eats, Best bakery, Best menudo

Best late-night eats, Best bakery, Best menudo

Best of SA 2012: Only the truly cognoscenti among tourists venture past the River Walk or Alamo in search of more local treasures. The dark-socks-with-dress-shoes-and-shorts segment? 4/25/2012
2012 Best of San Antonio Food Winners List

2012 Best of San Antonio Food Winners List

Best of 2012: 2012 Best of San Antonio Food Winners List 4/25/2012
Halo hovers on the North Side

Halo hovers on the North Side

Nightlife: The ownership of Halo, a club that celebrated their grand opening last weekend, tells you everything you need to know. It’s pretty much exactly what you’d... By Callie Enlow 5/8/2013
RX Bandits guitarist Steve Choi reflects on 16 years and one final tour

RX Bandits guitarist Steve Choi reflects on 16 years and one final tour

Music: To hear Steve Choi of RX Bandits tell it, there was never a proper sit-down about changing the sound of the SoCal third-wave ska group formed in 1995. There was no mission statement, no formal realization, no heady, late-night conversation over a bowl and brews. By Adam Villela Coronado 6/29/2011
In Texas, Juvenile Sex Offenders Get Virtual Life Sentence

In Texas, Juvenile Sex Offenders Get Virtual Life Sentence

News: When Allen and his girlfriend moved into their Austin-area house, a woman down the street passed out fliers warning neighbors a monster... By Michael Barajas 5/8/2013
Calendar

Search hundreds of restaurants in our database.

Search hundreds of clubs in our database.

Follow us on Instagram @sacurrent

Print Email

Aural Pleasure Review

Mex Step and MNOLO: 'Machine People'

Photo: , License: N/A


Machine People marks the first of at least two 2012 releases from Mexican Stepgrandfather (here credited as Mex Step, Marco Cervantes in real life). The project coagulated in 2010 after MNOLO (Manuel Escobar) and Mex Step exchanged emails, then songs, and then sat on the project for two years. The release arrives with little fanfare (both men are still planning shows for the project). The usually self-produced Mex Step runs free here (MNOLO is on the console) waxing on life's circumstances ("Stay the Same"), media entrenchment ("Entertainment"), and the apocalypse ("Rain Out"). Border politics pop up in passing, but not as heavily as expected from the man who once rapped "We're already home/No stoppin' us." This may send Mex Step diehards packing; only "Gone" and "Entertainment" make honest efforts at being overtly instructive and political. Here, Mex Step is neither the levelheaded Chicano sage he is on his solo work, nor the Ol' Dirty Bastard with a conscience he is onstage. He spends Machine People as mostly just a free-styling, organic complement to MNOLO's understated, mechanized Latin beats and melodies. As such, Machine People is less a grandiose statement and more an interesting footnote, but no less enjoyable for its lack of pretension.

★★★ (out of 5 stars)

Recently in Music
  • Is Piñata Protest Ready for Bigger Things? “It might get a bit loud,” Álvaro del Norte tells me, as I proceed to sit in the middle of Piñata Protest’s 8 x 10 rehearsal space at a secret... | 5/22/2013
  • The Black Angels' long and winding road Ask Alex Maas to define “psychedelic,” and he’s got an answer ready. “Eighteen grandmothers in a yellow polka-dot bikini, playing banjo... | 5/22/2013
  • Daft Punk: 'Random Access Memories' Fresh off shattering Spotify streaming records, Daft Punk return with their dance music history lesson, Random Access Memories. Rooted in the... | 5/21/2013
We welcome user discussion on our site, under the following guidelines:

To comment you must first create a profile and sign-in with a verified DISQUS account or social network ID. Sign up here.

Comments in violation of the rules will be denied, and repeat violators will be banned. Please help police the community by flagging offensive comments for our moderators to review. By posting a comment, you agree to our full terms and conditions. Click here to read terms and conditions.
comments powered by Disqus