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2012 Best of San Antonio Food Winners List

2012 Best of San Antonio Food Winners List

Best of 2012: 2012 Best of San Antonio Food Winners List 4/25/2012
Daft Punk: 'Random Access Memories'

Daft Punk: 'Random Access Memories'

Aural Pleasure Review: Fresh off shattering Spotify streaming records, Daft Punk return with their dance music history lesson, Random Access Memories. Rooted in the slick grooves... By M. R. Brown 5/21/2013
Best Chicken-Fried Steak

Best Chicken-Fried Steak

Best of SA 2012: We don't know about you, but when we need comfort food, a chicken-fried steak is the best thing to fill that hole in the heart and make all the hurt go away. 4/25/2012

Best Sex Toy Shop

Best of SA 2012: Porn online we can understand, but to properly order pleasure products you need an expert guide. It helps if you can see and feel what you're getting yourself into... 4/25/2012
Stella Public House takes pizza and beer to the next level

Stella Public House takes pizza and beer to the next level

Food & Drink: The terms “wood-fired” and“brick oven pizza” have longbeen bandied about as guarantors of quality, though sadly they seldom ring true. What may arrive out... By Scott Andrews 5/15/2013
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Green Day: '¡Uno!'

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There is nothing especially new or unique on Green Day’s new album, but after the trio’s previous two releases of “high concept” rock anthems, the familiarity of ¡Uno! is welcome. That’s not to say this is Kerplunk-era Green Day, but Billie Joe Armstrong has loosened his corporate tie just a bit and gotten back to writing catchy, throw-away pop punk songs. “Kill the DJ” is a tongue-in-cheek emulation of dance-rock that serves as the album’s second single. While not necessarily the strongest track, it’s good to see Green Day get back to making social, rather than political, commentary. The simplicity of “Stay the Night” showcases Armstrong’s true strength in his ability to write simple relatable hooks. ¡Uno! is the first in a trilogy, with ¡Dos! and ¡Tré! to be released November 13, 2012, and January 15, 2013, respectively. Taking into account Armstrong’s recent penchant for rock opera theatrics, it would be no surprise for the next installments to take a total U-turn from the juvenile lightheartedness of ¡Uno!

★★ ½ (out of 5 stars)

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