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Best of SA 2013: 4/24/2013
Lt. Governor Race: the \'Luchadora\' vs. the Tea Party radio host

Lt. Governor Race: the 'Luchadora' vs. the Tea Party radio host

News: A few Saturdays ago, I spent several hours hanging around a Texas Realtors Association conference in San Antonio, trying to catch state Sen. Dan Patrick... By Alexa Garcia-Ditta 9/17/2014
Beaches Be Trippin\': Five Texas Coast Spots Worth the Drive

Beaches Be Trippin': Five Texas Coast Spots Worth the Drive

Arts & Culture: Let’s face it, most of us Lone Stars view the Texas coast as a poor man’s Waikiki. Hell, maybe just a poor man’s Panama Beach — only to be used... By Callie Enlow 7/10/2013
Jessica Chastain and James McAvoy Disappear into ‘Eleanor Rigby’

Jessica Chastain and James McAvoy Disappear into ‘Eleanor Rigby’

Screens: “If you’re going to start, you might as well start big,” an ambitious person once said. Ned Benson must have been paying attention, because for his first... By Cameron Meier 9/17/2014
Daniela Riojas’ Photographic Studies in Self-discovery

Daniela Riojas’ Photographic Studies in Self-discovery

Arts & Culture: Daniela Riojas explores ideas of the figure in art, Latin American rituals, letting go of the past, and Jungian archetypes in... By Tom Turner 9/17/2014
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Aural Pleasure Review

Girl in a Coma: Exits and all the Rest

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While Trio B.C. (2009), the ladies' last collection of originals, had some grit and punch, it also had elements of an identity crisis as it danced between punk and rockabilly influences. Exits is the matured follow-up. It has polished rock tones and a much more focused sound, though it's still unafraid to shake you up. As Nina Díaz (vocals and guitar) confesses on "Sly," "I couldn't tell a lie to save my life", then boldly declares, "I broke his heart again and spit it back to him." Charming and ballsy, Exits is executed in true GIAC fashion. The control Díaz has over her voice commands the listener to pay attention from the opening track, "ADJust," to the closing of the album. With sister Phanie (drums) and friend Jenn Alva (bass), Díaz builds simple riffs and unthreatening melodies that escalate at just the right moments to achieve something grand and feisty. Maybe the two years spent on the project yielded the matured sound, but when Díaz informs us on "She Had a Plan," "Listen here my friend, the story never starts until you break your heart," it's almost as if she's letting us in on their secret.

★★★★ (out of 5 stars)

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