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Best of SA 2013: 4/24/2013
Chris Pérez, Selena’s Husband, Faces His Past and Looks Forward, Musically

Chris Pérez, Selena’s Husband, Faces His Past and Looks Forward, Musically

Music: Chris Pérez never saw it coming. “All I ever wanted to do was play guitar,” he told the Current. “I never thought I’d be the subject of an interview... By Enrique Lopetegui 8/28/2013
Beaches Be Trippin\': Five Texas Coast Spots Worth the Drive

Beaches Be Trippin': Five Texas Coast Spots Worth the Drive

Arts & Culture: Let’s face it, most of us Lone Stars view the Texas coast as a poor man’s Waikiki. Hell, maybe just a poor man’s Panama Beach — only to be used... By Callie Enlow 7/10/2013
Chris Perez, husband of slain Tejana icon Selena, tells of romance, suffering

Chris Perez, husband of slain Tejana icon Selena, tells of romance, suffering

Arts & Culture: In one of the final chapters of his book To Selena, With Love (out March 6), Selena's widower Chris Perez mentions that Abraham Quintanilla, his former father-in-law, once... By Enrique Lopetegui 3/7/2012
A Look Back at SA\'s Homebrew History

A Look Back at SA's Homebrew History

The Beer Issue: Homebrewing is a foundational American virtue. Not just Sam Adams smiling back from the bottle that bears his name—virtually all the... By Lance Higdon 10/15/2014

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Flip Out at Preservation Hall Jazz Band’s Creole Christmas Show

Photo: Courtesy photo, License: N/A

Courtesy photo

These guys will make you go apeshit

When Allan Jaffe and his wife Sandra moved from Pennsylvania to New Orleans in the early ’60s, they didn’t initially come for the music. But they ended up staying for the music after they took over a small, dingy art gallery in the French Quarter and turned it into Preservation Hall, a 100-seat concert venue that became the home of many a New Orleans-style jazz jam session and yielded the touring group, the Preservation Hall Jazz Band. The venue is still a hot spot in the city known for live music.

The touring Preservation Hall Jazz Band will give San Antonians a taste of its 10th annual Creole Christmas on December 11 at the Empire Theatre. The group will perform holiday classics and also material from its previous albums.

It’s been a long road for PHJB, and no one knows the history better than music director Ben Jaffe, son of the late Allan Jaffe.

“[My parents] had a very strong sense of equality and justice, and that’s what brought them to New Orleans,” says Jaffe via phone from his New Orleans home. “The fact that there was music here was icing on the cake. They came to New Orleans because they were attracted to what was taking place and happening here. The whole country was transforming, starting with Rosa Parks. The fact that they got involved with music was a complete coincidence.”

As soon as Ben Jaffe graduated from music school in Oberlin, Ohio, he joined the Preservation Hall Jazz Band and took up managerial duties at age 22 (“I was getting them hamburgers at two in the morning”), a job he held “for many years.” But when Hurricane Katrina slightly derailed the long-standing band’s mission in 2005 by temporarily shutting down the club, the group hit the road for an extended tour. By spring of 2006 the club was re-opened, and the band was once again playing to capacity crowds in the tiny room.

The band’s new album, That’s It! (their first album of originals), reflects that vitality and rebirth. The title track signifies just how well the band can groove. While tubas provide the booming bass riff that drives the song, blaring horns make it really swing. The song sounds something like the New Orleans equivalent of the Fleetwood Mac’s “Tusk,” a track that paired that group with the University of Southern California’s Trojan Marching Band.

“It’s like the sound of elephants coming down the street,” Jaffe says of “That’s It!” “We wanted to make the bass fuzzy and indefinable. We wanted the rhythm to be really strong. When you slow it down or just pick out one track at a time, you hear the definition in the individual tracks. It’s actually two tubas playing together at the same time. A lot of bass players use octave pedals to make it sound fuller. We just decided to use two tubas. That’s how you get that full sound. I wanted it to capture the energy and intensity of a New Orleans band coming down the street and being followed by hundreds of dancers.”

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