Best Salsa Club

Best of SA 2013: 4/24/2013
Beaches Be Trippin\': Five Texas Coast Spots Worth the Drive

Beaches Be Trippin': Five Texas Coast Spots Worth the Drive

Arts & Culture: Let’s face it, most of us Lone Stars view the Texas coast as a poor man’s Waikiki. Hell, maybe just a poor man’s Panama Beach — only to be used... By Callie Enlow 7/10/2013
Chris Pérez, Selena’s Husband, Faces His Past and Looks Forward, Musically

Chris Pérez, Selena’s Husband, Faces His Past and Looks Forward, Musically

Music: Chris Pérez never saw it coming. “All I ever wanted to do was play guitar,” he told the Current. “I never thought I’d be the subject of an interview... By Enrique Lopetegui 8/28/2013
Chris Perez, husband of slain Tejana icon Selena, tells of romance, suffering

Chris Perez, husband of slain Tejana icon Selena, tells of romance, suffering

Arts & Culture: In one of the final chapters of his book To Selena, With Love (out March 6), Selena's widower Chris Perez mentions that Abraham Quintanilla, his former father-in-law, once... By Enrique Lopetegui 3/7/2012
A Look Back at SA\'s Homebrew History

A Look Back at SA's Homebrew History

The Beer Issue: Homebrewing is a foundational American virtue. Not just Sam Adams smiling back from the bottle that bears his name—virtually all the... By Lance Higdon 10/15/2014

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Texas Book Festival — San Antonio Edition

Interview with Char Miller

Photo: Courtesy photo, License: N/A

Courtesy photo

We do put an enormous amount of time and money into these physical borders, like you said, and it seems like we haven’t thought about the environmental impact too much. Can you explain that a little bit?

One of the fascinating things for me when we moved from Texas to California, was that we were basically following the border. It had become the most contentious landscape between 2005 and 2010 or so, it kind of disappeared in the 2012 election. In the seven years prior to that point it was really the hot button issue. What was really much less reported about, as opposed to the social consequences of immigration, were these uncalculated, unacknowledged environmental deficits that occurred when we started to build that wall. There’s a series of essays in the book that look at the divisiveness in every sense of doing that along the Rio Grande valley, through New Mexico and Arizona and getting into California.  An essay that didn’t make it into the book actually focuses in on a section of the wall that punches about half a mile into the Pacific Ocean, as if we are going to stop people by so doing. It’s the fence to nowhere in a sense.
Then you look at actually how this thing was constructed. There’s an essay in there where the data that was coming out from Homeland Security blew my mind, about simply the filling in of canyon after canyon, flattening the landscape and then putting in this wall. Within the Border Patrol they were sort of shaking their heads going ‘no one’s going through that canyon.’ The canyon’s its own wall. The planners decided that it should look a certain way, so the landscape go militarized, making anyone who was in it a criminal, and in a sense, in addition to the wall sending a signal, the flattened landscape sent a signal to every animal of ‘this is not a place to be.’ To turn that into a fortified border was really startling to me. Ten years after, 15 years after the Berlin Wall came down, and we saw it as a triumph of openness and transparency and the collapse of Easter/Western Europe, we then replicate that process in Mexico and, to my mind, have devastating impacts on nature as a consequence. There are a couple of essays about various species that we think are suffering as a consequence of that. If you total up the environmental costs, the social costs, the political expenses of doing that kind of work, very little of which gets calculated into Homeland Security’s budget, it’s way, way more expensive to have done what we’ve done than if we had come up with another way of imagining the border and living within its natural landscape.

Texas Book Festival — San Antonio Edition
  • The Texas Book Festival starts a chapter in San Antonio San Antonio sometimes gets knocked for not being literary, or even literate, enough for such a big city with such grand “creative class” ambitions. | 4/10/2013
  • Interview with Char Miller At War Over the Environment: Two Experts on the Politics of Parks and the Natural World with George Bristol and Char Miller | 4/10/2013
  • Interview with Lawrence Wright In his newest book, Going Clear, Austin-based journalist Lawrence Wright profiles Scientology, a new American religion that, while ubiquitous among the... | 4/10/2013
  • Interview with Glenn Frankel You know what they say, writing about filming is like painting about mixology, or something. By many accounts Pulitzer prize-winning Glenn Frankel has reversed... | 4/10/2013
  • Interview with Hipolito Acosta The Shadow Catcher: A U.S. Agent Infiltrates Mexico’s Deadly Crime Cartels | 4/10/2013
  • Interview with Ricardo Ainslie Ricardo Ainslie frequented Juárez during its most violent years, as war between the Sinaloa and Juárez cartels raged and soaked the city in blood. | 4/10/2013
  • Interview with Laurie Ann Guerrero Laurie Ann Guerrero’s collection Tongue in the Mouth of the Dying won the 2012 Andrés Montoya Poetry Prize and was published February 15 by University of... | 4/10/2013
  • Interview with Nan Cuba You Can’t Go Home Again: Fiction about Family Secrets with Nan Cuba and Andrew Porter | 4/10/2013
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