Best Salsa Club

Best of SA 2013: 4/24/2013
Chris Pérez, Selena’s Husband, Faces His Past and Looks Forward, Musically

Chris Pérez, Selena’s Husband, Faces His Past and Looks Forward, Musically

Music: Chris Pérez never saw it coming. “All I ever wanted to do was play guitar,” he told the Current. “I never thought I’d be the subject of an interview... By Enrique Lopetegui 8/28/2013
Beaches Be Trippin\': Five Texas Coast Spots Worth the Drive

Beaches Be Trippin': Five Texas Coast Spots Worth the Drive

Arts & Culture: Let’s face it, most of us Lone Stars view the Texas coast as a poor man’s Waikiki. Hell, maybe just a poor man’s Panama Beach — only to be used... By Callie Enlow 7/10/2013
Chris Perez, husband of slain Tejana icon Selena, tells of romance, suffering

Chris Perez, husband of slain Tejana icon Selena, tells of romance, suffering

Arts & Culture: In one of the final chapters of his book To Selena, With Love (out March 6), Selena's widower Chris Perez mentions that Abraham Quintanilla, his former father-in-law, once... By Enrique Lopetegui 3/7/2012
A Look Back at SA\'s Homebrew History

A Look Back at SA's Homebrew History

The Beer Issue: Homebrewing is a foundational American virtue. Not just Sam Adams smiling back from the bottle that bears his name—virtually all the... By Lance Higdon 10/15/2014

Search hundreds of restaurants in our database.

Search hundreds of clubs in our database.

Follow us on Instagram @sacurrent

Print Email

Arts & Culture

The Jameel Prize Brings Inspired Islamic-influenced Art to SAMA

Photo: Courtesy photo, License: N/A

Courtesy photo

Babak Golkar, Negotiating the Space for Possible Coexistences No. 5, mixed media

When you encounter the word “Islamic” in this hemisphere, art is not what springs to mind in an era inflamed by religious terrorism. But London’s Victoria and Albert Museum recognizes the potent interaction between traditional Islamic arts and contemporary trends with the Jameel Prize under the patronage of avant-garde architect Zaha Hadid. More than 200 of the world’s leading curators, designers and artists were invited to nominate artists for the 2011 competition and the 10 finalists are featured in “The Jameel Prize: Art Inspired by the Islamic Tradition” at the San Antonio Museum of Art.

Working with nomadic tent-makers, Algerian artist Rachid Koraïchi won the top £25,000 prize for his large-scale, embroidered cloth banners The Invisible Masters. Based on numerology and brimming with mystic symbols such as pyramids, feathers, waves, hearts, stars and the mysterious hand-and-eye, the seven black-and-white banners explore the lives and legacies of the 14 great mystics of Islam, including influential Sufi (devoted to the mystical dimension of Islam) thinkers and poets such as Rumi and Ibn Arabi.

Repetitive, concentrated handwork, related to the Sufi meditative practices, is involved in the work of several of these artists, even though they straddle the influences of East and West.

Iranian-born Hadieh Shafie, who has lived in the United States since 1983, writes phrases taken from mystical Sufi poetry and incantations on strips of colored paper, which she rolls into circles of varying sizes to create whirling, cosmic patterns in 22500 pages and 26000 pages. Aisha Khalid of Pakistan used 300,000 gold-plated steel pins to create her Kashmiri Shawl decorated with a paisley design, the droplet-shaped vegetable motif that migrated from India to Scotland in the 18th century.

The youngest artist, Noor Ali Chagani, who studied Mughal painting or “Persian miniatures” at art school in Lahore, Pakistan, employs thousands of umber-colored miniature terracotta bricks to make his fantastic sculptures. Lifeline resembles a textured shawl crumpled on the floor, a reflection on shelter and refuge. Peering through the peephole in Infinity, you see an endless line of crumbling brick walls, a vivid metaphor for the obstacles and challenges of life.

Babak Golkar, an Iranian-American, projects the designs of Persian carpets upwards into three dimensions as the footprints for fanciful skyscrapers in Negotiating the Space for Possible Coexistences No. 5.

Religious restrictions discourage figures in Islamic art, but two artists use them for social and political commentary. The perilous plight of Iraqi exiles is the focus of Baghdad-born artist Hayv Kahraman’s wood-panel paintings based on the Waraq (playing cards) distributed to U.S. troops to help with identifying archaeological treasures. Soody Sharifi, an Iranian who works in Houston, caricatures contemporary oppression of women by contrasting nude female swimmers in the 14th century with head-to-toe-covered 21st-century sunbathers in her digital collage Frolicking Women.

The Jameel Prize: Art Inspired by Islamic Tradition

Admission $5-$10; members free
Free admission 4-9pm Tue; 10am-noon Sun;
10am-9pm Tue, Fri and Sat;
10am-5pm Wed and Thu;
10am-6pm Sun
San Antonio Museum of Art
200 W Jones
(210) 978-8100

Recently in Arts & Culture
We welcome user discussion on our site, under the following guidelines:

To comment you must first create a profile and sign-in with a verified DISQUS account or social network ID. Sign up here.

Comments in violation of the rules will be denied, and repeat violators will be banned. Please help police the community by flagging offensive comments for our moderators to review. By posting a comment, you agree to our full terms and conditions. Click here to read terms and conditions.
comments powered by Disqus