Trending
MOST READ
Beaches Be Trippin\': Five Texas Coast Spots Worth the Drive

Beaches Be Trippin': Five Texas Coast Spots Worth the Drive

Arts & Culture: Let’s face it, most of us Lone Stars view the Texas coast as a poor man’s Waikiki. Hell, maybe just a poor man’s Panama Beach — only to be used... By Callie Enlow 7/10/2013
Free Things to Do: Kid-friendly

Free Things to Do: Kid-friendly

Free Guide: It’s almost summer, which means that your government-subsidized free daycare (aka public school) goes on hiatus thanks to an archaic allegiance to a rural agriculture economic system that hasn’t been in play for decades. What to do with the wee ones whining 5/21/2014
Chris Pérez, Selena’s Husband, Faces His Past and Looks Forward, Musically

Chris Pérez, Selena’s Husband, Faces His Past and Looks Forward, Musically

Music: Chris Pérez never saw it coming. “All I ever wanted to do was play guitar,” he told the Current. “I never thought I’d be the subject of an interview... By Enrique Lopetegui 8/28/2013
Chris Perez, husband of slain Tejana icon Selena, tells of romance, suffering

Chris Perez, husband of slain Tejana icon Selena, tells of romance, suffering

Arts & Culture: In one of the final chapters of his book To Selena, With Love (out March 6), Selena's widower Chris Perez mentions that Abraham Quintanilla, his former father-in-law, once... By Enrique Lopetegui 3/7/2012
Lonely Horse and Hawks (of Holy Rosary) Gain National Traction, Islands & Tigers’ Release Fourth EP

Lonely Horse and Hawks (of Holy Rosary) Gain National Traction, Islands & Tigers’ Release Fourth EP

Music: After electioneering enough votes to enter into a qualifying battle of the bands, last week SA duo Lonely Horse won the... By Matt Stieb and Shannon Sweet 7/16/2014
Calendar

Search hundreds of restaurants in our database.

Search hundreds of clubs in our database.

Follow us on Instagram @sacurrent

Print Email

Arts & Culture

Music Journalist Robert Hilburn Talks About His Book, 'Johnny Cash: The Life'

Photo: Jim Marshall, License: N/A

Jim Marshall

Cash at 1968’s historic Folsom Prison concert; to his left, Hilburn, the only music journalist present



Related stories


You’re the one who taught me about ethics in journalism, not going backstage, keeping a distance from the people you write about. Yet you once “confessed” to me that with John Lennon it was difficult not to get too close because he was such a special person, so you, John and Yoko developed a close friendship, yet you never stopped being critical of him when you had to. In comparison, what was your relationship with Cash like?
I first met Cash in 1966, or ’67. I had just started writing about country music for the LA Times as a freelancer. I wanted to do rock ’n’ roll but there was already somebody writing about it. I did a review of Cash at the Long Beach Auditorium, I think. In those days there wasn’t a publicist there, you had to go backstage and knock on the door, and hopefully they’ll answer and talk to you. I remember knocking on the door and, “What??!!” His voice came out, he was in really bad shape at the time, he looked awful, his voice was raspy. I walked in the dressing room. He was alone, he was wiping his hair, jittery motions. I thought he was just hyperactive; I didn’t realize it was the drugs that were talking. After that we met at Folsom, there was a graciousness, a warmth about Cash, especially by ’68 or ’69, when he was getting off the drugs. He was a relatively shy person, he would kind of retreat in the dressing room or at a social function, he’d let June take over. But he always made me feel comfortable, he’d sit down and talk to me. We both came from small towns, so I think that helped. And secondly, I was somebody from a big newspaper who was paying attention to him, and that really impressed him. He’d always talk to DJs who’d tell him, “Oh, we love your music,” but here was someone from “the Los Angeles newspaper.” The guy in the Air Force who taught him how to play guitar came from my same town. I spent a weekend with him and June at the Carter Family cabin in Virginia, just six months before their death, and that was a really important moment, because I wasn’t planning to do a book, but he talked a long, long time about regrets in his life, and it helped me understand a lot of things about him. I loved John Lennon because he’d make you feel comfortable right away; he’d sit down, have fun, you could talk about Elvis, and Johnny Cash, and things he loved. Johnny Cash [wasn’t] as outgoing as John Lennon but he’d make you feel comfortable in the same way, he made you feel you were talking to a real person. In all the years I interviewed people, I think I took my mother to two or three shows, and I never took her backstage because I didn’t want to go backstage. But one day I told myself, “I think she’d really like to meet Johnny Cash.” She loved Johnny Cash, and everybody loved Johnny Cash back in that day. It was amazing he’d get such a wide following. So I took my mom because I knew he would understand I wasn’t trying to be a groupie and he’d be gracious to her. And he was, and that was a great snapshot of him. He wasn’t the kind of people that would go out of his way to meet people, he was kind of shy. But he came over to her, shook her hand and said, “Anything I can do for you? I hope you enjoyed the show.” I wouldn’t have taken that chance with most entertainers, because I think most would’ve brushed her off.

Recently in Arts & Culture
We welcome user discussion on our site, under the following guidelines:

To comment you must first create a profile and sign-in with a verified DISQUS account or social network ID. Sign up here.

Comments in violation of the rules will be denied, and repeat violators will be banned. Please help police the community by flagging offensive comments for our moderators to review. By posting a comment, you agree to our full terms and conditions. Click here to read terms and conditions.
comments powered by Disqus