Beaches Be Trippin\': Five Texas Coast Spots Worth the Drive

Beaches Be Trippin': Five Texas Coast Spots Worth the Drive

Arts & Culture: Let’s face it, most of us Lone Stars view the Texas coast as a poor man’s Waikiki. Hell, maybe just a poor man’s Panama Beach — only to be used... By Callie Enlow 7/10/2013
Best Hookah Bar

Best Hookah Bar

Best of SA 2013: 4/24/2013
How Rebates Have the Texas Film Industry Playing Catch Up To its Neighbors

How Rebates Have the Texas Film Industry Playing Catch Up To its Neighbors

Screens: See if you can spot the common thread that is pulling at the seams of the Texas film industry. On NBC’s The Night Shift, a stock-written staff... By Matt Stieb 8/27/2014

Best Indian Restaurant

Best of SA 2013: 4/24/2013
Free Will Astrology

Free Will Astrology

Astrology: ARIES (March 21-April 19): In the coming weeks it will be important for you to bestow blessings and disseminate gifts and dole out helpful... By Rob Brezsny 8/27/2014

Search hundreds of restaurants in our database.

Search hundreds of clubs in our database.

Follow us on Instagram @sacurrent

Print Email

Arts & Culture

CAM Review: 'New Works' at David Shelton

Photo: , License: N/A

Jonathan Faber, High on Fire 2, 2012, pastel on paper. Photo courtesy David Shelton Gallery.

Related stories

Shelton has a fondness for paper works, it is the favored medium of many of the artists that he represents. And though he did a similarly themed show a year ago, this edition has a completely different vibe, though some of the works continue series from last year. Kelly O'Connor becomes ever more complicated. Peoplemover, a new work by O'Connor that dominates the end of the gallery was filled with her usual appropriated images, balloons, spectral eyewear, and zany color, but is engulfed under glass and joined by an eruption (this time) of oil from a derrick. It feels a bit like a terrarium, or exhibit in a vitrine: layers of paper march from the front to the back of the shallow box, making an image that darts from graphic design to competing pieces of things. But never at the same time. Whether the schizoid effect was intentional or not, the stroboscopic effect fits her habitual over-the-top hysteria.

A work by Vincent Valdez, though representative of his fine rendering, seems a bit out of the set, which also favors Jonathan Faber's abstractions that may or may not be non-objective. They have unmistakable tension that is not brought about by comic reference (as by O'Connor) but through the play of soft and sharp forms. And pushing the case against non-objectivity are the presence of shadows, as if to say, "There are countless real worlds, and even though pretty, you probably should hesitate to become intimate with some of them."

New Works on Paper: Jonathan Faber, Sara Frantz, Kelly O'Connor, Dan Sutherland, and Vincent Valdez

12-5pm Wed-Sat
David Shelton Gallery
1115 S Alamo
(210) 787-0260
On view to March 17

We welcome user discussion on our site, under the following guidelines:

To comment you must first create a profile and sign-in with a verified DISQUS account or social network ID. Sign up here.

Comments in violation of the rules will be denied, and repeat violators will be banned. Please help police the community by flagging offensive comments for our moderators to review. By posting a comment, you agree to our full terms and conditions. Click here to read terms and conditions.
comments powered by Disqus